I'm sad to announce that my pink shirt met its end yesterday against some X-14 mildew spray.
I wore it on our bike ride yesterday, after which I used the X-14 to clean the grout between our bathroom tiles. The spray kicked back on to my pink shirt and navy blue sweatpants, leaving little bleach stains in a random spray pattern.
But not to worry. I'm going to buy another one.
I'll save old pinky for future workouts.
July 29, 2006
Judy Kaye Plays Mrs. Lovett
Up until this past Thursday, I'd watched 16 performances of Sweeney Todd starring Patti LuPone as Mrs. Lovett. Patti LuPone does a great job. After seeing her in so many performances it was hard to imagine anyone else playing the role and doing as well.
Thursday night, Judy Kaye played Mrs. Lovett in her place.
It's like comparing apples and oranges. They both bring something different to the role.
Judy Kaye brings a consistently good Cockney accent. And a dash of humor lacking in Patti LuPone's tartier and slightly more goth performance. I actually almost prefer Judy Kaye's performance. She sings the lyrics more clearly and she plays it a little more camp which works for this show because it is, as after all is said and done, still a Broadway show. The only thing I don't prefer is Judy Kaye's singing voice which is not to say she's not a good singer. Of course, Judy Kaye is a beautiful singer but Patti LuPone does things with her voice that makes her singing seem more emotional than Judy Kaye. Also, Patti LuPone plays the tuba better.
And of course, I recommend you see the show with Judy Kaye. She gets a lot more laughs than Patti LuPone and reminds the audience that Sweeney Todd is actually a funny show. And it's nice to hear Ms. Kaye singing those brilliant Sondheim lyrics instead of Ms. LuPone occasionally mumbling them. And did I mention she has trouble with the Cockney accent.
But then there's the on-stage chemistry between Patti LuPone and Michael Cerveris. Wow. You'd think these two were really sleeping together with all the passion they share on stage. And it really is enjoyable to watch them. Their chemistry is worth every penny of the full asking price per ticket. Their amazing relationship probably comes from having performed the show together for so long which is not something Ms. Kaye is going to be able to recreate in three short weeks.
If you've never seen Patti LuPone in the role, you would never know the chemistry between Cerveris and Kaye was missing.
Go see it. It's very good.
Thursday night, Judy Kaye played Mrs. Lovett in her place.
It's like comparing apples and oranges. They both bring something different to the role.
Judy Kaye brings a consistently good Cockney accent. And a dash of humor lacking in Patti LuPone's tartier and slightly more goth performance. I actually almost prefer Judy Kaye's performance. She sings the lyrics more clearly and she plays it a little more camp which works for this show because it is, as after all is said and done, still a Broadway show. The only thing I don't prefer is Judy Kaye's singing voice which is not to say she's not a good singer. Of course, Judy Kaye is a beautiful singer but Patti LuPone does things with her voice that makes her singing seem more emotional than Judy Kaye. Also, Patti LuPone plays the tuba better.
And of course, I recommend you see the show with Judy Kaye. She gets a lot more laughs than Patti LuPone and reminds the audience that Sweeney Todd is actually a funny show. And it's nice to hear Ms. Kaye singing those brilliant Sondheim lyrics instead of Ms. LuPone occasionally mumbling them. And did I mention she has trouble with the Cockney accent.
But then there's the on-stage chemistry between Patti LuPone and Michael Cerveris. Wow. You'd think these two were really sleeping together with all the passion they share on stage. And it really is enjoyable to watch them. Their chemistry is worth every penny of the full asking price per ticket. Their amazing relationship probably comes from having performed the show together for so long which is not something Ms. Kaye is going to be able to recreate in three short weeks.
If you've never seen Patti LuPone in the role, you would never know the chemistry between Cerveris and Kaye was missing.
Go see it. It's very good.
July 28, 2006
You Can't Over Love Your Underwear
So. I was watching a rerun of Charmed (Episode #67 from Season 4) on TNT this morning and this commercial came up.
It's the Fruit of the Loom Guys singing their hit You Can't Over Love Your Underwear.
Here's the link.
And if you don't feel like linking are the genius lyrics.
Daddy wears his T-shirt in the cool Kentucky rain.
While a boy in pure white briefs looks out the foggy window pane
Even though his hamster died he finds comfort and this I swear.
You can't over love your underwear
'Cause comfort ain't just found in teddy bears
There's no labels hanging anywhere
You can't ever over love, over love your underwear.
And now Jon and I are going bike riding.
See ya' later alligator.
It's the Fruit of the Loom Guys singing their hit You Can't Over Love Your Underwear.
Here's the link.
And if you don't feel like linking are the genius lyrics.
Daddy wears his T-shirt in the cool Kentucky rain.
While a boy in pure white briefs looks out the foggy window pane
Even though his hamster died he finds comfort and this I swear.
You can't over love your underwear
'Cause comfort ain't just found in teddy bears
There's no labels hanging anywhere
You can't ever over love, over love your underwear.
And now Jon and I are going bike riding.
See ya' later alligator.
July 27, 2006
Freckles All Over
Sunday, one of the male patrons at Sweeney Todd asked me if I had freckles all over my body.
Here's how the conversation went, as best as I can reconstruct it.
Old Guy:
"Can I have a headset?"
Me:
"Yes. I'll just need a driver's license please."
Old Guy:
"I love freckles. Do you have freckles all over your body?"
At this point, I wasn't aware that this was the beginning of a creepy flirtation between a very old man and his younger unsuspecting victim so I answered:
"Just on my face, shoulders, elbows and knees."
Old Guy:
"Do you have a boyfriend?"
Me:
"Even better. I have a husband."
Mercifully, at this point another customer showed up and the gentleman went on his merry way.
After the show, the flirtation continued.
Old Guy:
"So you said you have a boyfriend."
Me:
"No. I have a husband and here he is."
That was the day Jon came to see the show and he was hanging out with me until everyone turned in their headsets.
The old guy said something complimentary to Jon and then he left.
On one hand I'm flattered because I can still turn a head but on the other hand, this reinforces the problem I was having when I was single that I could only turn a man's head if we was over 70 years of age.
I'm glad Jon was there and not only that. I'm glad he's in my life.
Here's how the conversation went, as best as I can reconstruct it.
Old Guy:
"Can I have a headset?"
Me:
"Yes. I'll just need a driver's license please."
Old Guy:
"I love freckles. Do you have freckles all over your body?"
At this point, I wasn't aware that this was the beginning of a creepy flirtation between a very old man and his younger unsuspecting victim so I answered:
"Just on my face, shoulders, elbows and knees."
Old Guy:
"Do you have a boyfriend?"
Me:
"Even better. I have a husband."
Mercifully, at this point another customer showed up and the gentleman went on his merry way.
After the show, the flirtation continued.
Old Guy:
"So you said you have a boyfriend."
Me:
"No. I have a husband and here he is."
That was the day Jon came to see the show and he was hanging out with me until everyone turned in their headsets.
The old guy said something complimentary to Jon and then he left.
On one hand I'm flattered because I can still turn a head but on the other hand, this reinforces the problem I was having when I was single that I could only turn a man's head if we was over 70 years of age.
I'm glad Jon was there and not only that. I'm glad he's in my life.
My New Bike
I love my new bike.
When we bought it last week, the weather was pretty bad so I couldn't take it out until this week.
Monday, Tuesday and today, Jon and I rode over to Roosevelt Island.
It's a nice ride because on Roosevelt Island there isn't a lot of car traffic meaning less chance of getting run down by a road-rage driven driver. City biking is much different than riding in the suburbs. Less cars.
Today was brutally hot and humid but I survived.
And now I feel pretty good.
I love my new bike.
When we bought it last week, the weather was pretty bad so I couldn't take it out until this week.
Monday, Tuesday and today, Jon and I rode over to Roosevelt Island.
It's a nice ride because on Roosevelt Island there isn't a lot of car traffic meaning less chance of getting run down by a road-rage driven driver. City biking is much different than riding in the suburbs. Less cars.
Today was brutally hot and humid but I survived.
And now I feel pretty good.
I love my new bike.
July 26, 2006
My Pink Shirt
I have a pink shirt bought several months ago from the GAP. It's my favorite shirt.
I wear it all the time. I wore it last night.
It's a little too tight and the color isn't quite right for my complexion but its' still my favorite.
It's soft and stretchy and looks great under jackets.
I'll probably wear it again today because it was only on for a few hours last night.
People who work with me probably think I'm crazy but I don't care.
Because I love my pink shirt.
I wear it all the time. I wore it last night.
It's a little too tight and the color isn't quite right for my complexion but its' still my favorite.
It's soft and stretchy and looks great under jackets.
I'll probably wear it again today because it was only on for a few hours last night.
People who work with me probably think I'm crazy but I don't care.
Because I love my pink shirt.
July 25, 2006
Sondheim Was There Tonight
The theater was more crowded than usual tonight. The tickets for Sweeney Todd are available through TDF for $29.95.
Orchestra was unusually full. I had to go upstairs and watch from the mezzanine. I was wrong about when Patti LuPone was leaving this week. She's in until Thursday and then she'll be out for three weeks doing Gypsy somewhere or the other. But there was a substitution in tonight that kept the show interesting for me.
Jessica Wright got to stand in for Diana DiMarzio as the Beggar Woman and she was wonderful. DiMarzio is so good I didn't think anybody else could do as well but I was wrong. Wright brings some thing a little different to the role. And Lauren Molina was back in tonight after a week's vacation. Not that Elisa Winter wasn't good in the role of Joanna but Molina is fantastic.
Stephen Sondheim was in the theater tonight. He sat in the back row of the orchestra section somewhere in the middle. I did not see him. Another usher told me he was there. Thought, I did see John Doyle walking around the theater with a note pad. John Doyle is the director of this production.
I wonder if Sondheim and Doyle are going to be hanging around the theater all week.
That would be cool.
Orchestra was unusually full. I had to go upstairs and watch from the mezzanine. I was wrong about when Patti LuPone was leaving this week. She's in until Thursday and then she'll be out for three weeks doing Gypsy somewhere or the other. But there was a substitution in tonight that kept the show interesting for me.
Jessica Wright got to stand in for Diana DiMarzio as the Beggar Woman and she was wonderful. DiMarzio is so good I didn't think anybody else could do as well but I was wrong. Wright brings some thing a little different to the role. And Lauren Molina was back in tonight after a week's vacation. Not that Elisa Winter wasn't good in the role of Joanna but Molina is fantastic.
Stephen Sondheim was in the theater tonight. He sat in the back row of the orchestra section somewhere in the middle. I did not see him. Another usher told me he was there. Thought, I did see John Doyle walking around the theater with a note pad. John Doyle is the director of this production.I wonder if Sondheim and Doyle are going to be hanging around the theater all week.
That would be cool.
July 24, 2006
That's What Makes the Gravy Grander
"What's my secret? Frankly, dear, forgive my candor!
Family secret, all to do with herbs!
Things like being careful with the corriander,
that's what makes the gravy grander!"
- Mrs. Lovett (God, that's Good!)
The above song quote is from Sweeney Todd - the opening number of Act II where Mrs. Lovett celebrates her recent success from selling meat pies made from humans to her unsuspecting customers.
I bought Jon a ticket to see Sweeney Todd on Sunday because that's where I was working and I really wanted him to see the show before it closed. Speaking with ushers I learned that the show is scheduled to stay at the Eugene O'Neill theater until December. From observation I learned that the show may close earlier than that because the show isn't selling out. There are some nights when the theater isn't even half full.
This is a shame really because it's such a good production, you want it to run forever like Chicago (featuring Usher as Billy Flynn) or A Chorus Line (which is coming back to Broadway in September).
Go see it. If you've ever thought about seeing Sweeney Todd or if you are looking for something good to see, this production is the cat's pajamas. You will most certainly be able to buy a ticket for any section of the theater you wish because there's always plenty of room.
This show has really penetrated my psyche. I constanly have tunes from the show running through my head and I've been reading an awful lot about the history (or the alleged history) of the actual (or the allegedly actual) Sweeney Todd.
I've been learning interesting things like the fact that for about 200 years barbers were barber-surgeons and studied corpses so they could perform minor operations, tooth extractions, amputations and bleedings in addition to their shaving and hair trimming responsiblities. It's believed that the first stories of Sweeney originated in Victorian fiction zines called Penny Dreadfuls. The stories are based on a real man who committed gruesome murders in his barber shop and the legend grew more horrible as the years went on feeding on public fears based on the barber-surgeon bailywick.
Regarding the music, I'm excited to have a chance to see Sondheim's work in context. In the past, when I've heard his works performed it's always been on a PBS broadcast of some concert featuring Broadway bigwigs belting out highlights from various shows. The performances are great but there's no continuity.
Watching this production, I feel like I finally understand why Sondheim is considered one of the greats of musical theater. I may have read somewhere that this is his best show but I don't know if that's true or not. I can tell you that the music and lyrics are genius and are a pleasure to see performed - especially by the likes of Patti Lupone and Michael Cerveris. Of course everyone in the cast is really, really great.
I can't emphasize enough how much I think you absolutely need to see this show.
I'm fortunate enough to be working on it again next week. This past Sunday was my 16th viewing.
As much as I love the show, I may be getting a little oversaturated. I might actually bring a book with me to the theater next week although I am curious to see how Patti Lupone's replacement does. I overheard some ushers saying that Patti Lupone is taking a short leave to do Gypsy somewhere and that Judith Kay was coming in to subsititute.
I'm excited to see someone else in the role of Mrs. Lovett. And I think that's how Broadway gets you to keep coming back to see shows.
Usher appearing in Chicago is a perfect example of that. As many as I've seen that show, I want to see it now with Usher to see how interprets the role of the sleazy lawyer and opportunist, Billy Flynn. Will he be able to pull it off? Can he sing Broadway? Will he fit in to the show? Will he suck? Will he be great? The producers of Chicago are constantly putting in big names to keep that show alive - most recently Rita Wilson, wife of Tom Hanks. I wasn't too excited about her. I just assumed she's not that great. How can she be as good as Karen Ziemba or Bebe Neuwirth or Ann Reinking or Rachel Hess or Uta Lemper? I don't think it's possible.
It's late and I'm rambling. I've gone on longer than I wanted to about Sweeney or have I?
Family secret, all to do with herbs!
Things like being careful with the corriander,
that's what makes the gravy grander!"
- Mrs. Lovett (God, that's Good!)
The above song quote is from Sweeney Todd - the opening number of Act II where Mrs. Lovett celebrates her recent success from selling meat pies made from humans to her unsuspecting customers.
I bought Jon a ticket to see Sweeney Todd on Sunday because that's where I was working and I really wanted him to see the show before it closed. Speaking with ushers I learned that the show is scheduled to stay at the Eugene O'Neill theater until December. From observation I learned that the show may close earlier than that because the show isn't selling out. There are some nights when the theater isn't even half full.
This is a shame really because it's such a good production, you want it to run forever like Chicago (featuring Usher as Billy Flynn) or A Chorus Line (which is coming back to Broadway in September).
Go see it. If you've ever thought about seeing Sweeney Todd or if you are looking for something good to see, this production is the cat's pajamas. You will most certainly be able to buy a ticket for any section of the theater you wish because there's always plenty of room.
This show has really penetrated my psyche. I constanly have tunes from the show running through my head and I've been reading an awful lot about the history (or the alleged history) of the actual (or the allegedly actual) Sweeney Todd.
I've been learning interesting things like the fact that for about 200 years barbers were barber-surgeons and studied corpses so they could perform minor operations, tooth extractions, amputations and bleedings in addition to their shaving and hair trimming responsiblities. It's believed that the first stories of Sweeney originated in Victorian fiction zines called Penny Dreadfuls. The stories are based on a real man who committed gruesome murders in his barber shop and the legend grew more horrible as the years went on feeding on public fears based on the barber-surgeon bailywick.
Regarding the music, I'm excited to have a chance to see Sondheim's work in context. In the past, when I've heard his works performed it's always been on a PBS broadcast of some concert featuring Broadway bigwigs belting out highlights from various shows. The performances are great but there's no continuity.
Watching this production, I feel like I finally understand why Sondheim is considered one of the greats of musical theater. I may have read somewhere that this is his best show but I don't know if that's true or not. I can tell you that the music and lyrics are genius and are a pleasure to see performed - especially by the likes of Patti Lupone and Michael Cerveris. Of course everyone in the cast is really, really great.
I can't emphasize enough how much I think you absolutely need to see this show.
I'm fortunate enough to be working on it again next week. This past Sunday was my 16th viewing.
As much as I love the show, I may be getting a little oversaturated. I might actually bring a book with me to the theater next week although I am curious to see how Patti Lupone's replacement does. I overheard some ushers saying that Patti Lupone is taking a short leave to do Gypsy somewhere and that Judith Kay was coming in to subsititute.
I'm excited to see someone else in the role of Mrs. Lovett. And I think that's how Broadway gets you to keep coming back to see shows.
Usher appearing in Chicago is a perfect example of that. As many as I've seen that show, I want to see it now with Usher to see how interprets the role of the sleazy lawyer and opportunist, Billy Flynn. Will he be able to pull it off? Can he sing Broadway? Will he fit in to the show? Will he suck? Will he be great? The producers of Chicago are constantly putting in big names to keep that show alive - most recently Rita Wilson, wife of Tom Hanks. I wasn't too excited about her. I just assumed she's not that great. How can she be as good as Karen Ziemba or Bebe Neuwirth or Ann Reinking or Rachel Hess or Uta Lemper? I don't think it's possible.
It's late and I'm rambling. I've gone on longer than I wanted to about Sweeney or have I?
July 20, 2006
Project Runway Season 3
Okay. I know. You can't believe I'm getting involved with another reality show but I just can't help myself. I watched Project Runway's second season and now I'm hooked. The queenie and bitchy personalities, the bizarre and unrealistic challenges, plus the seemingly endless barage of endorsements and celebrity cameos all add up to one successful hour of weekly entertainment.
I wasn't going to write about. I swear. But then I read my blog friend's post on the new season and was inspired to write my own take on the show.
The first episode of the show was absolutely ridiculous which is probably why I didn't write about it. The contestants had to take stuff found in their hotel rooms and turn it into fashions that reflected who they were as designers. When in your life will you ever have to do that to prove yourself on the job? Never. That's like someone telling you to go to the 99 cent store and make a dish that reflect your true waitressing personality. It's unfair.
Last night's episode featured the first of many ridiculous cameos, I'm sure.
The "client" was Tara Conner and their assignment was to design a dress that she will wear at the Miss Universe pageant. (Vera Wang showed up later in the episode to judge the final dresses). They had two days and three hundred dollars to come up with something. Again . . . if these designers were truly bidding on a job like this, they would probalby spend weeks designing and constructing something but in REALITY TV world, they had two days.
Some of the designers came up with very beautiful skteches within the thirty minute deadline. One genius, Andrea, came up with nothing and in her one on one interview with Miss America asked how she felt about Empire waists.
The idea was that the seven designers that impressed Tara the most with their sketches would then pick a partner from the remaining seven designers to assist with the execution of their design. It was painful to watch the designers picking team mates because no one wanted to partner with Angela and with reason I think. She admittedly has no experience with gown design and no one wanted to be saddled with the weight of her inexperience.
She ended up with Vincent.
So the highlight of last night's show ended up being Vincent arguing with this strange designer who doesn't sketch. Vincent is a disaster but what a fun disaster. He's a fine designer I'm sure, but he's really bad at communicating with others. It's hard to understand what he's saying from one moment to the next. He's also surprisingly straight. He talks like a gay guy from New York City but he's married with a kid. So I learned again that I shouldn't judge a book by it's cover or it's affectation for that matter. Angela criticized Vincent while he excluded her from doing any of the work on the dress.
The other designer who stands out for me is Jeffrey Sebelia - not because he's a good designer but because he's got words tattooed on his neck in script. I guess he's a good designer. His stuff looks like he ripped dresses apart and sewed them back together. I don't get it.
Anyway, the best personality they ever had on the show was eliminated last night.
Malan Breton was really cool. He is self-taught and from Long Island City so I was rooting for him. He has an eclectic background and an interesting accent be it real or affected. I liked him and I was sorry to see him go. Especially since he took a risk and designed something to be judged while that crow Angela didn't even draw a sketch.
It didn't seem fair.
I think the person who didn't even try should have been eliminated and that was Angela.
I wasn't going to write about. I swear. But then I read my blog friend's post on the new season and was inspired to write my own take on the show.
The first episode of the show was absolutely ridiculous which is probably why I didn't write about it. The contestants had to take stuff found in their hotel rooms and turn it into fashions that reflected who they were as designers. When in your life will you ever have to do that to prove yourself on the job? Never. That's like someone telling you to go to the 99 cent store and make a dish that reflect your true waitressing personality. It's unfair.
Last night's episode featured the first of many ridiculous cameos, I'm sure.
The "client" was Tara Conner and their assignment was to design a dress that she will wear at the Miss Universe pageant. (Vera Wang showed up later in the episode to judge the final dresses). They had two days and three hundred dollars to come up with something. Again . . . if these designers were truly bidding on a job like this, they would probalby spend weeks designing and constructing something but in REALITY TV world, they had two days.
Some of the designers came up with very beautiful skteches within the thirty minute deadline. One genius, Andrea, came up with nothing and in her one on one interview with Miss America asked how she felt about Empire waists.
The idea was that the seven designers that impressed Tara the most with their sketches would then pick a partner from the remaining seven designers to assist with the execution of their design. It was painful to watch the designers picking team mates because no one wanted to partner with Angela and with reason I think. She admittedly has no experience with gown design and no one wanted to be saddled with the weight of her inexperience.
She ended up with Vincent.
So the highlight of last night's show ended up being Vincent arguing with this strange designer who doesn't sketch. Vincent is a disaster but what a fun disaster. He's a fine designer I'm sure, but he's really bad at communicating with others. It's hard to understand what he's saying from one moment to the next. He's also surprisingly straight. He talks like a gay guy from New York City but he's married with a kid. So I learned again that I shouldn't judge a book by it's cover or it's affectation for that matter. Angela criticized Vincent while he excluded her from doing any of the work on the dress.
The other designer who stands out for me is Jeffrey Sebelia - not because he's a good designer but because he's got words tattooed on his neck in script. I guess he's a good designer. His stuff looks like he ripped dresses apart and sewed them back together. I don't get it.
Anyway, the best personality they ever had on the show was eliminated last night.
Malan Breton was really cool. He is self-taught and from Long Island City so I was rooting for him. He has an eclectic background and an interesting accent be it real or affected. I liked him and I was sorry to see him go. Especially since he took a risk and designed something to be judged while that crow Angela didn't even draw a sketch.
It didn't seem fair.
I think the person who didn't even try should have been eliminated and that was Angela.
Thursday Already?!?
Is this week going by quickly or is it just me? It must be because I'm working a full part-time schedule this week as opposed to a partial part-time schedule. I was able to secure 8 shifts at Sweeney Todd, much to my happiness. Great show.
Monday, after we got home from the beach we hung out in the coolness of our air conditioned apartment because it was very, very, very hot on Monday.
That night, we went with Jonathan to The Brick Cafe for a nice dinner before moving on to our final destination for the evening. I can't say that the food sucked. I had the fettucine with shiitake mushrooms, fresh tomatoes, garlic and olive oil. Jon had the black linguine with fruits de la mer and Jonathan had chicken paillard with grilled vegetables.

Then we picked up our friend Eric and headed out to The Last Exit in Brooklyn for some Monday night trivia.
We missed some key answers like the fact that Artsy Smurf wasn't the name of a real smurf and that Wild Smurf was. We missed that Oedipus solved the riddle of the sphinx and not Odysseus like I insisted. We also missed that the bartender joined S.A.G. that day. Why that was considered a trivia question still baffles me. I found it in infuriating that another one of their questions had to do with the age of the Last Exit bar. The age of the bar in which you are playing trivia is not a legitimate trivia question. Nor is asking about props that were present at the previous game.
For the most part, the Last Exit pub quiz is good fun but I HATE WHEN THEY ASK SELF REFERENTIAL QUESTIONS.
We came in third place.
Anyway. . .here is a picture of Eric and me at the bar.

In other exciting news Jon bought me a new bicycle today. It's a TREK 7000.
Monday, after we got home from the beach we hung out in the coolness of our air conditioned apartment because it was very, very, very hot on Monday.
That night, we went with Jonathan to The Brick Cafe for a nice dinner before moving on to our final destination for the evening. I can't say that the food sucked. I had the fettucine with shiitake mushrooms, fresh tomatoes, garlic and olive oil. Jon had the black linguine with fruits de la mer and Jonathan had chicken paillard with grilled vegetables.
Then we picked up our friend Eric and headed out to The Last Exit in Brooklyn for some Monday night trivia.
We missed some key answers like the fact that Artsy Smurf wasn't the name of a real smurf and that Wild Smurf was. We missed that Oedipus solved the riddle of the sphinx and not Odysseus like I insisted. We also missed that the bartender joined S.A.G. that day. Why that was considered a trivia question still baffles me. I found it in infuriating that another one of their questions had to do with the age of the Last Exit bar. The age of the bar in which you are playing trivia is not a legitimate trivia question. Nor is asking about props that were present at the previous game.
For the most part, the Last Exit pub quiz is good fun but I HATE WHEN THEY ASK SELF REFERENTIAL QUESTIONS.
We came in third place.
Anyway. . .here is a picture of Eric and me at the bar.
In other exciting news Jon bought me a new bicycle today. It's a TREK 7000.
July 17, 2006
A Day At The Beach
After breakfast my mom joined us for a short visit to the beach. We set up camp and headed into the water which was wet and cold at first. We splashed around a bit then I set up a chair right at the water's edge and spaced out for a while. Jon broke my reverie by taunting me with seaweed.
It was hot. Very hot. Extremely hot.
My mom and I did our best to avoid getting sunburnt by hiding in the shade of the beach umbrella.
Just to give you an idea of how crowded the beach was getting, here's a shot of my mom and Jon keeping cool.
And here's a shot of the beach in general.
Here is my nephew looking cute as ever. He was playing with his water table and running around in the sprinkler while we all just watched him and laughed at his cute antics.
July 15, 2006
Dirty Rotten Scoundrels - Reprise
Lucie Arnaz has taken over the role of Muriel Eubanks formerly played by Joanna Gleason. She is great. She does a better job in the role and that's hard to do. For every performance I watched by Joanna Gleason, I never thought she was hitting her jokes.As lovely as Ms. Gleason was as the rich and lonely divorcee, as well as she sang and danced and as charming as she was, she was dropping her jokes. You couldn't hear them. She either mumbled them or they got lost in her delivery.
Lucie Arnaz hits every joke and does everything that I thought Joanna Gleason should have been doing.
I enjoyed her very much. And I had NO idea at all that she's SUCH a good singer.
What a GREAT singing voice!!!!
July 13, 2006
A Super Flaw
The story line suggests that Lois Lane's son is the product of the romantic union between Lois and Superman that took place in Superman II.
That's proven when their son exhibits super human strength in order to save his mother.
But if Clark Kent turned himself into a regular, power-free human being in order to consummate his relationship with Lois Lane, then he wouldn't have passed on any powers to his progeny.
Right?
Baby-Face Finster = Little Man
Little Man is about a diminutive thief who poses as a baby to avoid the law -- much like Baby-Face Finster.
Do the Wayans ever have an original idea?
July 12, 2006
American Girl Place
Yesterday I joined my cousin for an afternoon tea party at the American Girl Place cafe. We were there to celebrate her daughter's ninth birthday. Have you been to American Girl Place? It seems that while I was busy wallowing in the life of 30-something adult, the most amazing doll store in the world sprouted up on the corner of 49th St. and Fifth Avenue.
The concept is similar to Cabbage Patch dolls. Each doll has her own name, hobbies, activities, characteristics, furniture, toys, etc. The store three floors of doll heaven. On the first floor you have your regular dolls - Marisol, Becky, Helen what have you. They ice skate, do rhythmic gymnastics, play flute, go to the beach, etc. and the races of the dolls vary widely enough that everyone can find a doll to represent themselves if need be. Even better, on the first floor you can find clothes to match your daughters' doll(s). So if you like that little teal sparkly top that Becky was wearing in the guitar playing display, you can pick one up for your little girl.
Here is a picture of the main showcase on the first floor. An army of dolls awaits adoption by the happiest 8 and 9 year old girls I've ever seen.

The second floor has period dolls. For example, Felicity. Felicity "lives" in Colonial America. And she has the clothing and the accoutrements to prove it.
Here she is modeling her tea set. Note the clothing, furniture and tea set are all for sale.

Here is Felicity posing with her canopy bed. Note that her night shiftand sleeping bonnet are for sale in real child sizes just around the corner from this display.

Here is the Samantha display. She's a plucky girl from Victorian times. In addition to clothing, furniture and accessories, each doll also has a series of books based on her life.

You can even buy your American Girl Doll her own doll. This display case had little tiny American Girl Dolls for that purpose. And each little tiny doll has her own book too, in case you were wondering.

The combination afternoon tea/birthday party was a lot of fun. The wait staff use special chairs to seat the American Girl dolls at the table. All the little girls in the place were dressed in frilly little dressed and displayed the most gentile table manners.
In a cynical world where people losing more and more faith in today's children it was nice to see 8, 9 and 10 year olds getting exciting over the simple pleasure of doll ownership. Granted it's doll ownership on steroids and crystal meth but still. It was nice.
The concept is similar to Cabbage Patch dolls. Each doll has her own name, hobbies, activities, characteristics, furniture, toys, etc. The store three floors of doll heaven. On the first floor you have your regular dolls - Marisol, Becky, Helen what have you. They ice skate, do rhythmic gymnastics, play flute, go to the beach, etc. and the races of the dolls vary widely enough that everyone can find a doll to represent themselves if need be. Even better, on the first floor you can find clothes to match your daughters' doll(s). So if you like that little teal sparkly top that Becky was wearing in the guitar playing display, you can pick one up for your little girl.
Here is a picture of the main showcase on the first floor. An army of dolls awaits adoption by the happiest 8 and 9 year old girls I've ever seen.
The second floor has period dolls. For example, Felicity. Felicity "lives" in Colonial America. And she has the clothing and the accoutrements to prove it.
Here she is modeling her tea set. Note the clothing, furniture and tea set are all for sale.
Here is Felicity posing with her canopy bed. Note that her night shiftand sleeping bonnet are for sale in real child sizes just around the corner from this display.
Here is the Samantha display. She's a plucky girl from Victorian times. In addition to clothing, furniture and accessories, each doll also has a series of books based on her life.
You can even buy your American Girl Doll her own doll. This display case had little tiny American Girl Dolls for that purpose. And each little tiny doll has her own book too, in case you were wondering.
The combination afternoon tea/birthday party was a lot of fun. The wait staff use special chairs to seat the American Girl dolls at the table. All the little girls in the place were dressed in frilly little dressed and displayed the most gentile table manners.
In a cynical world where people losing more and more faith in today's children it was nice to see 8, 9 and 10 year olds getting exciting over the simple pleasure of doll ownership. Granted it's doll ownership on steroids and crystal meth but still. It was nice.
July 11, 2006
Back in the Swing of Things
Now that I'm back in my regular life, I find myself longing for our vacation which ended over a week ago. As Jon pointed out earlier today, we've been home longer than we were in France.

I didn't have any work the week we returned but I did pick up some theater shifts this past week.
I started with a Wednesday matinee of The Color Purple and then worked The Drowsy Chaperone Wednesday, Thursday and Friday nights. That's a fun play.
I can't explain the show properly. It's best of you go to the website or read the reviews to get an understanding of what the play is about and how it's structured. Oh well. Maybe I can. Let me give it a try.
The show is narrated by a lonely, seemingly gay man from an arm chair in his sparsely decorated apartment. What he's talking about is a musical called The Drowsy Chaperone. He explains the show to the audience while playing the cast album and a very talented cast acts out the show. It won the Tony for best musical. I thought it was a lot of fun. The costumes are fabulous and the show tunes are catchy. You'll feel good when you leave the theater. And the fact that there is no intermission reflects the philosophy of our narrator (who is also the playwright) that intermissions take you out of the moment.
One of the most fun things was running into Sarah and her mom before the Friday night performance. It's the first time since I've been distributing headsets for last 7 years or so that I've run into someone I know while on the job.
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Saturday night
It was great running into them on Friday night because we were scheduled to meet for dinner and a show on Saturday night.
The show we saw - Pig Farm by Greg Kotis who is most famous for penning Urinetown. I had great hopes for the show because Urinetown is pretty brilliant, making fun of musical theater, regular theater, literature , politics and society at large in general.
While watching the characters struggle through the purposely mundane yet ironic yet alliterate dialogue, I kind of got what the playwright was attempting to do in Pig Farm - emphasis on kind of. He was either making fun of the recent rash of plays about working class Irish life or he was making fun of the straight play genre or he was just taking a piss on the institution of theater all together.
By that I mean, maybe he wrote something bordering on bad just to see what he could away with with Broadway audiences - much like a two year old putting a banana in a VCR to see if his parents will stop him.
If that's the case than I say we need to stop him before he tries something even worse. Not that I didn't have a good time. It was great seeing a show as a patron for a change in an assigned seat near the stage rather than standing in the back of the theater. It was also great going out with Sarah and Michelle and for that I'm very grateful. But honestly, it's not like theater tickets are cheap. If serious money is going to spent on a show, then the show should be worth spending money on. And the childish antics of an over ambitious playwright should not be tolerated.
You could tell Kotis knows how to write though. Technically, the play was well structured. The dialogue was just too much and the humor was spoon fed - the play tried too hard. If Kotis had dialed it back a bit, it could have worked.

I didn't have any work the week we returned but I did pick up some theater shifts this past week.
I started with a Wednesday matinee of The Color Purple and then worked The Drowsy Chaperone Wednesday, Thursday and Friday nights. That's a fun play.
I can't explain the show properly. It's best of you go to the website or read the reviews to get an understanding of what the play is about and how it's structured. Oh well. Maybe I can. Let me give it a try.
The show is narrated by a lonely, seemingly gay man from an arm chair in his sparsely decorated apartment. What he's talking about is a musical called The Drowsy Chaperone. He explains the show to the audience while playing the cast album and a very talented cast acts out the show. It won the Tony for best musical. I thought it was a lot of fun. The costumes are fabulous and the show tunes are catchy. You'll feel good when you leave the theater. And the fact that there is no intermission reflects the philosophy of our narrator (who is also the playwright) that intermissions take you out of the moment.
One of the most fun things was running into Sarah and her mom before the Friday night performance. It's the first time since I've been distributing headsets for last 7 years or so that I've run into someone I know while on the job.
--------------------------------------
Saturday night
It was great running into them on Friday night because we were scheduled to meet for dinner and a show on Saturday night.
While watching the characters struggle through the purposely mundane yet ironic yet alliterate dialogue, I kind of got what the playwright was attempting to do in Pig Farm - emphasis on kind of. He was either making fun of the recent rash of plays about working class Irish life or he was making fun of the straight play genre or he was just taking a piss on the institution of theater all together.
By that I mean, maybe he wrote something bordering on bad just to see what he could away with with Broadway audiences - much like a two year old putting a banana in a VCR to see if his parents will stop him.
If that's the case than I say we need to stop him before he tries something even worse. Not that I didn't have a good time. It was great seeing a show as a patron for a change in an assigned seat near the stage rather than standing in the back of the theater. It was also great going out with Sarah and Michelle and for that I'm very grateful. But honestly, it's not like theater tickets are cheap. If serious money is going to spent on a show, then the show should be worth spending money on. And the childish antics of an over ambitious playwright should not be tolerated.
You could tell Kotis knows how to write though. Technically, the play was well structured. The dialogue was just too much and the humor was spoon fed - the play tried too hard. If Kotis had dialed it back a bit, it could have worked.
July 06, 2006
Pulligny
I told you that my cousin's marriage was held in an old church in Pulligny. I know the correct spelling now and found some information on the web but not in English.
Anyway, there is one story that was told to Jon and me about the town - a legend that an archaeologist has been trying to prove is real. The archaeologist believes that Joan of Arc was not burned at the stake as believed, but instead a young woman was burned in her place. He also believes that Joan of Arc lived the rest of her days in the town of Pulligny and is possibly buried somewhere in this grave yard where my family is pictured below waiting for the bride and groom.
Anyway, there is one story that was told to Jon and me about the town - a legend that an archaeologist has been trying to prove is real. The archaeologist believes that Joan of Arc was not burned at the stake as believed, but instead a young woman was burned in her place. He also believes that Joan of Arc lived the rest of her days in the town of Pulligny and is possibly buried somewhere in this grave yard where my family is pictured below waiting for the bride and groom.
July 05, 2006
A French Wedding
This little boy playing in the wheat was a guest of the party.
Here, my Uncle Pierre is explaining to Jon a trick he learned from Remy, my youngest cousin. Apparently when wheat is ripe for picking, you can crack the grain in your teeth.
Here I am in a tearful reunion with my goddaughter/cousin Elise. I hadn't seen her or my other cousins in over 8 years. She's really cute. She works with a group that brings circuses to poor countries that have never seen one before. I'm very proud of her. She's very Bohemian. Those are happy tears, by the way.
And here is a series of portraits with various members of my family. Cousins mostly except for the one you already saw of my grandmother and me.
The party went on until the wee hours of the morning. . Here are some shots of people having a good time.
My aunt came home around six. We weren't as hearty and left the party around 2 a.m.
But it didn't end there.
The next morning, we went back to the celebration for a small brunch and after celebration clean up. Everybody pitches in and I had great time drying dishes in the kitchen with the different women in my family. It was a nice bonding experience. We could work together toward one goal without verbal communication. It's times like those I really like.
Anyway, to add to the charm of the affair, the bride's uncle was playing an accordion. Here's a shot of my cousin's aunt and uncle dancing in the hall the morning after.
Everyone was happy to see us and the wedding was a good opportunity for Jon to meet everyone because of course they were all there.
We had a memorable time.
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